IRAQ: ‘Art Is the Only Weapon That Doesn’t Hurt or Kill’

by CIVICUSWednesday, September 23, 2026Inter Press Service CIVICUS discusses public art, gender-based violence and censorship in Iraqi Kurdistan with Tara Abdullah, a multidisciplinary visual artist from Sulaymaniyah who is currently based in Oslo, Norway as part of the Safemuse – Safe Havens for Artists residency. Tara AbdullahIn Iraqi Kurdistan, where conservative religious and social norms prevent open discussion of gender-based violence, femicide remains a persistent, under-reported crisis. Artists who take these issues into public space, instead of confining them to galleries or private institutions, risk backlash from religious authorities, legal action and the withdrawal of state permits and funding.How did you become an artivist?I’m from Sulaymaniyah in the Kurdistan Region of Iraq, and I’ve been using art to express myself since I was a child. I fought hard to get into art school. After ninth grade, I joined the Institute of Art and studied there for five years, then studied for four more years at the College of Fine Arts at the University of Sulaymaniyah and graduated in 2020. All in all, I spent almost a decade studying art and learning new materials and methods I could ...